Looney Tunes
June 7th, 2008
The logo every english-speaking person recognises, the melody everyone has heard - it's Looney Tunes! One of the most successful brands in cartoons from Warner Bros, which was introduced in the 1930 and finished in 1969.
The name Looney Tunes is a variation on Silly Symphonies, the name of Walt Disney's concurrent series of music-based cartoon shorts. Looney Tunes originally showcased Warner-owned musical compositions through the adventures of cartoon characters such as Bosko and Buddy. Later Looney Tunes shorts featured popular characters such as Porky Pig, Daffy Duck, Bugs Bunny, Elmer Fudd, Sylvester and Tweety, Marvin the Martian, Taz, Wile E. Coyote and Road Runner, Foghorn Leghorn, Yosemite Sam, Pepé Le Pew, Speedy Gonzalez, and many others.
Originally produced by Harman-Ising Pictures, Looney Tunes were produced by Leon Schlesinger Productions from 1933 to 1944. Schlesinger sold his studio to Warner Bros. in 1944, and the newly renamed Warner Bros. Cartoons continued production until 1963. Looney Tunes were outsourced to DePatie-Freleng Enterprises from 1964 to 1967, and Warner Bros. Cartoons re-assumed production for the series' final two years. From 1942 to 1969, Looney Tunes was the most popular cartoon series in theaters.
In the beginning, both Looney Tunes and Merrie Melodies drew their storylines from Warner's vast music library. However, eventually the two series distinguished themselves by Looney Tunes becoming the umbrella for the studio's various recurring characters, while Merrie Melodies continued with the use of one-shot characters. Also, from 1934 to 1943 Merrie Melodies were produced in color and Looney Tunes in black and white; after 1943, however, both series were produced in color; the only real difference between the two series was in the variation between the opening theme music and titles. Both series also made use of the various Warner Bros. cartoon characters. By 1937, the theme music for Looney Tunes was "The Merry-Go-Round Broke Down" by Cliff Friend and Dave Franklin; the theme music for Merrie Melodies was an adaptation of "Merrily We Roll Along" by Charles Tobias, Murray Mencher and Eddie Cantor.
In 1930, Warner Bros. became interested in developing a series of musical animated shorts in order to promote their music. They had recently acquired the ownership of Brunswick Records along with four music publishers for US $28 million. Consequently, they were eager to start promoting this material in order to cash in on the sales of sheet music and phonograph records. Warners made a deal with Leon Schlesinger to produce cartoons for Warner Bros. Schlesinger hired Rudolph Ising and Hugh Harman to produce their first series of cartoons. Bosko was Looney Tunes first major star, debuting in the short Sinkin' in the Bathtub in 1930. When Harman and Ising left the Warner Bros. in 1933 over a budget dispute with Schlesinger, they took with them all the rights of the characters and cartoons which they had created. Schlesinger had to negotiate with them in order to keep the rights to the name Looney Tunes as well as for the right to use the slogan That's All Folks! at the end of the cartoons.
A bland white-washed version of Bosko called Buddy became the star of the Looney Tunes series for the next few years. With the animators working in the Termite Terrace studio, they debuted of the first truly major Looney Tunes star, Porky Pig, who was introduced in 1935 along with Beans the Cat in the Merrie Melodie cartoon I Haven't Got a Hat directed by Friz Freleng. Beans was the star of the next Porky/Beans cartoon Golddiggers of '49, but it was Porky who emerged as the star instead of Beans. This was followed by the debuts of other memorable Looney Tunes stars such as Daffy Duck (in 1937) and the most famous of the Looney Tunes cast, Bugs Bunny (in 1940). Bugs appeared mostly in the color Merrie Melodies and formally joined the Looney Tunes crew with the release of Buckaroo Bugs. Schlesinger began to phase in the production of color Looney Tunes with the 1942 cartoon The Hep Cat. The final black-and-white Looney Tune was Puss n' Booty in 1943. The inspiration for the changeover was Warners' decision to re-release only the color cartoons in the Blue Ribbon Classics series of Merrie Melodies. Bugs Bunny made a cameo appearance in 1942 in the Avery/Clampett cartoon Crazy Cruise and also at the end of the Frank Tashlin 1943 cartoon Porky Pig's Feat. Schlesinger sold his interest in the cartoon studio in 1944 to Warner Bros.
In 1967, the Warner Bros.-Seven Arts company reissued all the black-and-white Looney Tunes in a primitive colorization process. The original prints were sent to South Korea where artists re-traced each cartoon frame-by-frame in color.
These cartoons continued to be seen over the decades, and even some of the hand-colored cartoons ended up on low-budget bargain-bin home video labels (the hand-colored versions were copyrighted, but it has been suggested they too have fallen into the public domain).
Then, in 1990, 1992 and 1995, Warner Bros. released the classic black-and-white shorts again in color, but this time using a digital colorization process rather than re-coloring them frame-by-frame as in 1967. The digital color versions have aired on the Turner networks (Cartoon Network and Boomerang except on the programming block Late Night Black And White). Incidentally, the 1967 hand-drawn color versions continued to be seen on the Turner networks until Looney Tunes were pulled from the airwaves in 2007.
The name Looney Tunes is a variation on Silly Symphonies, the name of Walt Disney's concurrent series of music-based cartoon shorts. Looney Tunes originally showcased Warner-owned musical compositions through the adventures of cartoon characters such as Bosko and Buddy. Later Looney Tunes shorts featured popular characters such as Porky Pig, Daffy Duck, Bugs Bunny, Elmer Fudd, Sylvester and Tweety, Marvin the Martian, Taz, Wile E. Coyote and Road Runner, Foghorn Leghorn, Yosemite Sam, Pepé Le Pew, Speedy Gonzalez, and many others.
Originally produced by Harman-Ising Pictures, Looney Tunes were produced by Leon Schlesinger Productions from 1933 to 1944. Schlesinger sold his studio to Warner Bros. in 1944, and the newly renamed Warner Bros. Cartoons continued production until 1963. Looney Tunes were outsourced to DePatie-Freleng Enterprises from 1964 to 1967, and Warner Bros. Cartoons re-assumed production for the series' final two years. From 1942 to 1969, Looney Tunes was the most popular cartoon series in theaters.
In the beginning, both Looney Tunes and Merrie Melodies drew their storylines from Warner's vast music library. However, eventually the two series distinguished themselves by Looney Tunes becoming the umbrella for the studio's various recurring characters, while Merrie Melodies continued with the use of one-shot characters. Also, from 1934 to 1943 Merrie Melodies were produced in color and Looney Tunes in black and white; after 1943, however, both series were produced in color; the only real difference between the two series was in the variation between the opening theme music and titles. Both series also made use of the various Warner Bros. cartoon characters. By 1937, the theme music for Looney Tunes was "The Merry-Go-Round Broke Down" by Cliff Friend and Dave Franklin; the theme music for Merrie Melodies was an adaptation of "Merrily We Roll Along" by Charles Tobias, Murray Mencher and Eddie Cantor.
In 1930, Warner Bros. became interested in developing a series of musical animated shorts in order to promote their music. They had recently acquired the ownership of Brunswick Records along with four music publishers for US $28 million. Consequently, they were eager to start promoting this material in order to cash in on the sales of sheet music and phonograph records. Warners made a deal with Leon Schlesinger to produce cartoons for Warner Bros. Schlesinger hired Rudolph Ising and Hugh Harman to produce their first series of cartoons. Bosko was Looney Tunes first major star, debuting in the short Sinkin' in the Bathtub in 1930. When Harman and Ising left the Warner Bros. in 1933 over a budget dispute with Schlesinger, they took with them all the rights of the characters and cartoons which they had created. Schlesinger had to negotiate with them in order to keep the rights to the name Looney Tunes as well as for the right to use the slogan That's All Folks! at the end of the cartoons.
A bland white-washed version of Bosko called Buddy became the star of the Looney Tunes series for the next few years. With the animators working in the Termite Terrace studio, they debuted of the first truly major Looney Tunes star, Porky Pig, who was introduced in 1935 along with Beans the Cat in the Merrie Melodie cartoon I Haven't Got a Hat directed by Friz Freleng. Beans was the star of the next Porky/Beans cartoon Golddiggers of '49, but it was Porky who emerged as the star instead of Beans. This was followed by the debuts of other memorable Looney Tunes stars such as Daffy Duck (in 1937) and the most famous of the Looney Tunes cast, Bugs Bunny (in 1940). Bugs appeared mostly in the color Merrie Melodies and formally joined the Looney Tunes crew with the release of Buckaroo Bugs. Schlesinger began to phase in the production of color Looney Tunes with the 1942 cartoon The Hep Cat. The final black-and-white Looney Tune was Puss n' Booty in 1943. The inspiration for the changeover was Warners' decision to re-release only the color cartoons in the Blue Ribbon Classics series of Merrie Melodies. Bugs Bunny made a cameo appearance in 1942 in the Avery/Clampett cartoon Crazy Cruise and also at the end of the Frank Tashlin 1943 cartoon Porky Pig's Feat. Schlesinger sold his interest in the cartoon studio in 1944 to Warner Bros.
In 1967, the Warner Bros.-Seven Arts company reissued all the black-and-white Looney Tunes in a primitive colorization process. The original prints were sent to South Korea where artists re-traced each cartoon frame-by-frame in color.
These cartoons continued to be seen over the decades, and even some of the hand-colored cartoons ended up on low-budget bargain-bin home video labels (the hand-colored versions were copyrighted, but it has been suggested they too have fallen into the public domain).
Then, in 1990, 1992 and 1995, Warner Bros. released the classic black-and-white shorts again in color, but this time using a digital colorization process rather than re-coloring them frame-by-frame as in 1967. The digital color versions have aired on the Turner networks (Cartoon Network and Boomerang except on the programming block Late Night Black And White). Incidentally, the 1967 hand-drawn color versions continued to be seen on the Turner networks until Looney Tunes were pulled from the airwaves in 2007.










